Saturday, October 25, 2014

Apology Accepted, Weezer- Everything Will Be Alright in the End (Review)

by Tzarathustra



After one full listen-through, I can say that this is certainly the strongest record that Weezer has done since the Green Album

   




The first single,  "Back to the Shack" 

is a simple rocker that  functions as an 

outright apology for the bland pop 

experiments of the last few Weezer 

records, and they do seem sincere about 

getting back to the sound that we all know 

and love from the 90s. 

     Ric Ocasek is back behind the boards, 

and the big crunchy sound with the 70s 

stadium rock leanings is firmly in place. 

The songs all have that unmistakable Weezer 

catchiness and Cuomo's way with a melody, 

and there's a nice balance between the more 

serious relationship-type songs and the 

breezier songs. Overall it's fun, it's 

rocking, and there are some enjoyably weird 

arrangement choices throughout to hold your 

attention.

     The only thing that I think keeps it 


from being a truly great album like the Blue 

Album or Pinkerton is that those songs feel 

like they were written in more of a vacuum, 

or at least for a small devoted audience. 

Twenty years of big-time fame later, these 

new songs have a tendency to feel like Cuomo 

wrote them knowing that everyone was 

watching, and while he's giving the people 

what they want again, the songs have a film 

of self-awareness to them. Considering how 

much better the whole thing feels than their 

previous few records though, that's a pretty 

small complaint, and perhaps with more 

listens the songs will feel more lived-in 

and the album will settle into a spot beside 

their best work where that self-awareness 

won't be too noticeable. 

The Screaming Trees- Last Words:Final Recordings

 

In August of 2014 The Screaming Trees 

released their long rumored final recordings 

as Last Words: The Final Recordings. The 

band broke up back in 2000 with the songs 

comprising the album already long since in 

the can. But due to the poor performance of 

their previous album (1996's Dust) and the 

generally tepid mood of the industry towards 

their type of sound at the time, the songs 

found no home. 

     The Screaming Trees were signed by Epic 

in 1989 but came into the mainstream 

consciousness on the wave of enthusiasm for 

grungy northwestern rock that followed 

Nirvana and Pearl Jam's success. 

Specifically they had a hit (Nearly Lost 

You) from the soundtrack for Cameron Crowe's 

film Singles. The band bore only slight 

sonic resemblance to its peers. They always 

tended more toward psychedelic garage rock, 

rather than the harried and hard worn  Black 

Sabbath homages of their northwestern scene 

mates.
      
     Though they had a minor hit with Nearly 

Lost You and some name recognition, their 

career never really ignited. Their 1990's 

albums are among the top under appreciated 

recordings of the decade. And now, to add to 

that list, comes Last Words. It shows a band 

still possessed of fire and energy and 

sounds like what it is, a message in a 

bottle from a great 90's band banging on all 

cylinders. What more could you want?